Even fictional characters can only suspend belief so far.
This movie trailer has been sponsored by Power Girl #6 (December 2009) by Justin Gray, Jimmy Palmiotti, and Amanda Connor.
When it comes to physical intimacy, super-strength and invulnerability are an absolute bitch. But you don’t have to take my word for it. Just ask Citizen Steel and Power Girl here.
This painful lesson in love comes to you courtesy of JSA All-Stars #15 (April 2011) by Matthew Sturges and Freddie Williams II.
When mankind is in danger, you call in the World’s Finest Team. When the World’s Finest Team needs a distraction, they call in Power Girl.
This foolproof stratagem has been brought to you by Superman/Batman #4 (January 2004) by Jeph Loeb, Ed McGuinness, and Dexter Vines.
Apparently, Power Girl enjoys collecting snow globes and maintains quite an impressive collection in her alter ego Karen Starr‘s office. She also doesn’t appreciate interviewees violating her personal space by touching them:
This lesson in office etiquette courtesy of Power Girl #1 (July 2009) by Justin Gray, Jimmy Palmiotti, and Amanda Conner.
With a little help from Brainwave, the Ultra-Humanite has managed to transfer the minds of Earth-Two‘s Superman and Batman into the bodies of Power Girl and Huntress, respectively. While Batman’s analytical skills remain unaffected, his eyes are another matter entirely.
This Freudian nightmare taken from Superman/Batman #27 (August 2006) by Mark Verheiden, Kevin Maguire, Ethan Van Sciver, and Moose Baumann.
Ever since Justice League: Cry for Justice #7 hit the shelves last month with a sickening thud – a sound not unlike that made by falling debris as it crushes a cute, helpless, 6-year-old girl to death – I’ve openly expressed my disdain and contempt for James Robinson, specifically the degree to which critical research failure has permeated his recent projects for DC Comics like some kind of cancerous growth. To be honest, I’m not sure whether this is due to carelessness, indifference due to a lack of enthusiasm about a given writing assignment, or something else entirely, but it irritates me to no end (and was, for you trivia experts out there, the inspiration for this blog’s name and creation).
But before we prod today’s target, the Blackest Night: JSA miniseries, with this eleven-foot pole I conveniently have handy, let’s begin with a history lesson on the rather convoluted backstory of Power Girl.
Power Girl was born Kara Zor-L on the planet Krypton of the Earth-Two universe to Zor-L and Allura In-Z. Both she and her cousin, Kal-L, were sent to Earth as infants in order to escape their homeworld’s inevitable destruction.
Miraculously, both ships narrowly avoided collision with the giant blue "KERBLAM!" orbiting Krypton-Two.
But while his rocket took a direct path there, her Symbioship – so named because of the symbiotic relationship that existed between pilot and vessel – travelled the scenic route, and she only arrived at her intended destination many years later, having been both kept in suspended animation and raised in virtual reality in the interim. She was subsequently taken in by her cousin – who had, by now, been active as Superman for several decades – and his wife, that reality’s version of Lois Lane.
A strong-willed, independent young woman, she adopted the name “Power Girl” when she began her superheroic career two years following her arrival as a way of distancing herself from her famous (and, in her mind, overbearing and controlling) famous relative.
Following the destruction of the DC Multiverse during Crisis on Infinite Earths, DC decided to take a back-to-basics approach with Superman, which, among other things, entailed throwing some serious weight behind his nickname of “The Last Son of Krypton”. As a result, the original Supergirl, Kara Zor-El, was retconned out of existence – which seemed like adding insult to terminal injury since she was already dead – and her Earth-Two counterpart, Power Girl, was now declared to be the time-displaced granddaughter of the ancient Atlantean sorcerer Arion, another established DC character.
This pretty lame revision stuck for almost two decades until Geoff Johns began systematically dismantling it in the pages of JSA, finally doing away with it completely in the inaugural story arc of JSA: Classified before finally restoring her Kryptonian heritage during the course of Infinite Crisis in what, one would assume, was a pretty visible way.
The only real change made was to her physical age upon arrival on Earth: she was now 18 years old instead of 20.
While the age difference between Kara and Kal is significant, the fact that their fathers, Zor-L and Jor-L, respectively, were brothers makes them cousins, and they’re never implied to be or to consider themselves anything other than that (except in the figurative sense, as illustrated above).
So, how badly could anybody possibly screw this up? You’d be surprised…
Blackest Night: JSA #1 (February 2010) starts off promisingly enough, with Power Girl berating Wildcat for his insensitive remarks about the Earth-Two Superman’s corpse…
…which suddenly becomes much less impressive when she says the following four panels later:
The downwards spiral continues in Blackest Night: JSA #2 (March 2010), where she begins spreading the confusion amongst her teammates:
While there’s technically nothing factually incorrect with her statement, it still sounds rather odd, even more so when you watch Mr. Terrific grab the idiot ball he’s just been beaned with and attempts to score a touchdown, only to run facefirst into the following exposition from Blackest Night: JSA #3 (April 2010):
So the first thing that the Black Lantern incarnation of his predecessor did was take out an obscure, retired wrestler? If I were him, I’d probably have gone after J.J. Thunder instead, who, despite being a “Jakeem” and a “Johnny” (with nary a “Jamal” in sight), would’ve posed a more significant threat.
Power Girl then manages to infect the Black Lantern version of her cousin/uncle/father/gynecologist/whatever with a terminal case of retcon disease before entering into the final stages of it herself as this miniseries mercifully comes to a close:
I have no idea how two editors (Brian Cunningham and Eddie Berganza) and one co-writer for the final issue (Tony Bedard) managed to overlook all these mistakes. Maybe whatever James Robinson has really is contagious…